Off the Map #2 at AINSI
- 15 April 2026
- Suzanne Hendriks
With writer Philip Dröge about Moresnet, a musical experiment by Daan Soenens and his band, some nutopian imagining by graphic designer Floor Koomen and journalist Jorie Horsthuis about her visit to the Strait of Hormuz. And as always, a nerdy quiz by researcher Suzanne Hendriks.
Daan Soenens, Marie Liese Schuurman and Laurens Deckers playing music from Moresnet - as it would have / could have / should have sounded if it had never ceased to exist.
Ariel BussaniNot even one kilometer from the Belgium border, we found ourselves for the second time at AINSI, Maastricht, on April 1st. From the seats of this amazing building, we crossed many borders and imagined, even for just a short time, how the world would be without them.
AINSI was packed with a well-informed and well-traveled audience, with their own share of interesting border experiences and encounters, ranging from the GDR-border (‘all these weapons and border guards made a profound impression’) to Israel (‘I was picked out of the queue, probably because of my name: Göbels’).
The evening started off with a song written by Daan Soenens, called ‘Sama Anima’. Meaning ‘same soul’ in Esperanto (except it would be ‘sama animo’ in the language of Moresnet - but the misspelling is part of the project), the evening had the perfect start for a theatre filled with people hovering between Wanderlust and Weltschmerz.

Journalist Jorie Horsthuis guides the audiences to the two sides of the Strait of Hormuz.
Ariel Bussani
Give people borders and they turn into ‘a people’: writer Philip Dröge on Moresnet.
Ariel Bussani
A philosophical and musical experiment by the Belgian Daan Soenens and his compagnions.

Floor Koomen talking about wondrous micronations, like Celestia and Nutopia.
Ariel Bussani
Quizzing with researcher Suzanne Hendriks for Transnistria coinage.
Ariel BussaniThanks to our attentive audience, everyone at AINSI and to our photographer Ariel Bussani for these pictures. Stay informed about our events here.