De Facto recommends

raising flags is an ongoing project by museum in progress that has been realized at various locations since 2023, including virtual exhibition spaces online and media spaces in newspapers and magazines. Numerous artists participated and made flags, commenting on questions of social coexistence in challenging times.

Over the past decade, our increasing and often conflicting claims on space have made disputes more intense and more urgent, widening the gap between the haves and de have-nots. This weekend, the Architecture Film Festival Rotterdam (NL) highlights the theme of Contested Space.

Since 2012 German artist Valeska Peschke has been developing the long-term project ‘Amikejo’ (place of friendship in Esperanto). Under this name, Neutral Moresnet was proclaimed as an Esperanto republic in 1907. Valeska Peschke took up this fleeting utopia as a vision for Europe.

At the National Museum of Contemporary Art Athens (EMST) the international group show Statecraft is still on show till October 30. The exhibition explores the underlying mechanisms at work in the engineering of the nation-state and the challenges it faces in today’s globalized, networked world. Curated by Katerina Gregos.

Photographer Mustafa Saeed sees the potential of all art forms as therapy in a post-war nation, moving towards collaborative efforts to make this happen in Somaliland.

In Blood and Honey: Encounters at the Borders of the Balkans, Dutch journalist Irene van der Linde and documentary photographer Nicole Segers set out to document the borders of the Balkans. Go and watch their work at Museum Het Valkhof in Nijmegen (the Netherlands).

Lithuanian photographer Tadas Kazakevičius’s visual love letter Between Two Shores captures the peace and idiosyncrasy of the Curonian Spit—a unique and spectacular geographical formation, barely a mile wide across, that extends for over 60 miles from the coast of Lithuania into the Kaliningrad oblast of the Russian Federation.

Have a look at the project by the Dutch artist Vibeke Mascini that aims to reunite the two ‘summits’ that have been expropriated from Mont Blanc—during the first ascend in 1786 and the second in 1787, after being kept in different European museum collections for centuries, both far away from the mountain itself.